About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Mar 21, 2018 WWI Composers: Elgar, Schoenberg and Holst
Mar 19, 2018 Mapping the Musical Genome
The Waltzing Strauss Family
Mar 18, 2018 Claude Debussy
French Music without Sauerkraut
Mar 15, 2018 Claude Debussy: “I need something to love”
Mar 14, 2018 Musical Voices of WWI (1914-18)
Kreisler, Caplet and Hindemith
Mar 12, 2018 At the Center of the Musical Universe
Vincenzo Bellini III
Mar 11, 2018 Achille-Claude Debussy
Mar 7, 2018 Musical Voices of WWI (1914-18)
Vaughan-Williams, Stephan and Bliss
Mar 5, 2018 At the Center of the Musical Universe
Vincenzo Bellini II
Feb 28, 2018 Musical Voices of WWI (1914-18)
Ravel, Berg, and Butterworth