About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Jun 23, 2017 The Sorcerer’s Apprentice
Johann Sebastian Bach and Johann Philipp Kirnberger
Jun 22, 2017 Johann Stamitz: Fervent Genius from Bohemia
Jun 18, 2017 Hong Kong Music Series In London
Jun 18, 2017 Beethoven in China: The Dark Years
Jun 17, 2017 Operatic Disasters III
Jun 16, 2017 The Sorcerer’s Apprentice
Friedrich Gulda and Martha Argerich
Jun 11, 2017 Game—Set—Match!
Suzanne Lenglen and Jeux
Jun 10, 2017 Operatic Disasters II
Jun 8, 2017 Johann Wenzel Anton Stamitz
Jun 7, 2017 The Operatic Rivals: Giulio Caccini vs Jacopo Peri