About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Feb 16, 2015 Imagined Intimacy
Sergei Ivanovich Taneyev and Sophia Andreevna Tolstoy
Feb 15, 2015 Musical Form in Architecture
August Endell (1871-1925)
Feb 14, 2015 From Front to Back and Back to Front!
Joseph Haydn: Symphony No. 47
Feb 14, 2015 Dancing in Bach’s Chains
Feb 11, 2015 For the Fun of it All!
Jacques Ibert (1890-1962)
Feb 10, 2015 Opposites Attract: Well, what then?
Alexander Scriabin and Vera Ivanovna Isakovich
Feb 6, 2015 Antonín Dvorák: Stabat Mater, Op. 58
Feb 5, 2015 Satisfaction Guaranteed or Your Money Back
Feb 2, 2015 Play it again Condi! Brahms, that is!
Jan 31, 2015 Alexander Scriabin