About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Athens and Muscat, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Dec 26, 2022 Making the Donkey Dance: Gomes’ Sonata for Strings
Dec 24, 2022 Bach in 19th-Century France: Saint-Saëns’ Oratorio de Noël (Christmas Oratorio)
Dec 23, 2022 Carol of the Bells by Mykola Leontovych: History and Recordings
Dec 19, 2022 Improvising and Imagining: Schubert’s Fantasie in F minor
Dec 18, 2022 Artists and Musicians: Nolan and Williams
Dec 14, 2022 Medieval Animal Musicians: Bears
Dec 13, 2022 An Interview With Mezzo-Soprano Coline Dutilleul: The Play of Light and Shadow
Dec 12, 2022 How An Austrian Becomes Italian: Meyerbeer’s Overture to Romilda e Costanza
Dec 10, 2022 Art into Sound II: George Crumb’s Metamorphoses, Book II
Dec 9, 2022 Romanticism and Modernism: An Interview With Violinist Madeleine Mitchell