About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Athens and Muscat, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Jul 12, 2022 Getting to Zero
Bruckner’s Symphony No. 0 in D Minor, “Nullte”
Jul 11, 2022 The Ecstasy of the Diver: Jost’s TiefenRausch
Jul 10, 2022 Bird Music or Music from Birds
Schlein’s Strictly from the Birds
Jul 9, 2022 The Modern Patron: Benny Goodman
Jul 8, 2022 A Royal Family of Composers in Sweden:
The Bernadotte Dynasty
Jul 7, 2022 Abandoned at the Altar
Maxwell Davies’ Miss Donnithorne’s Maggot
Jul 6, 2022 Untuning the World of Jan Steen
Jul 5, 2022 The Sound of Summer Rain in Classical Music
Vivaldi, Rameau, Beethoven, Grofé and Whitacre
Jul 4, 2022 How Beethoven Lost a Symphony: Witt’s Jéna Symphony
Jul 3, 2022 Coloured Clouds in the Air – With Explosions!
A Fanfare to Fireworks in Classical Music