About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Athens and Muscat, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Mar 19, 2022 Women Composers You Should Know I
Mar 18, 2022 Three Together: Trio Aries Awakening
Mar 17, 2022 The Song With Many Meanings
Mar 16, 2022 On Holiday With Benjamin Britten
Britten’s Holiday Diary
Mar 15, 2022 Seeing Music
Mar 14, 2022 Behind the Scenes at the Circus:
Lord Berners’ Luna Park
Mar 13, 2022 The Most Beautiful Note that Never Was
Allegri’s Miserere mei, Deus
Mar 12, 2022 How Well Do You Know French Operas?
Mar 11, 2022 Beethoven in His Year of Despair
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, “Tempest”
Mar 9, 2022 Defining the American Tragedy
Copland’s Billy the Kid Suite