About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Athens and Muscat, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Dec 19, 2021 From Ugly Duckling to Leading Composer
Tālivaldis Ķeniņš: Symphony No. 6, “Sinfonia ad Fugam”
Dec 18, 2021 Practicing Without Your Orchestra
Dec 17, 2021 Legitimatizing Jazz and Failing: Copland’s Piano Concerto
Dec 16, 2021 Hearing Beethoven a New Way
Michael Gordon: Rewriting Beethoven’s Seventh Symphony
Dec 15, 2021 Mixing the Symphony and the Concerto: Lalo’s Symphonie espagnole
Dec 14, 2021 The Fortunate Fisherman: Rimsky-Korsakov’s Sadko
Dec 13, 2021 Silver Memories: Grieg’s Wedding Day at Troldhaugen
Dec 11, 2021 Changing the Unattainable: Nielsen’s Pan and Syrinx
Dec 11, 2021 Do You Know These Conductors Anecdotes?
Dec 10, 2021 Mahler for Chamber Orchestra