About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Athens and Muscat, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Oct 31, 2021 Going Against the Composer’s Wishes: Mahler’s Sentinel’s Night Song
Oct 30, 2021 Are You Familiar With the Stories of Chopin’s Frenemies, Lovers, and Piano Works?
Oct 29, 2021 Remembering Debussy
Le Tombeau de Claude Debussy Premiered in 1921
Oct 27, 2021 Ancient and Modern and Left-Handed: Korngold’s Suite
Oct 26, 2021 Music in View: The Victoria and Albert Museum
Oct 25, 2021 Scary Music for a Scary Night
Oct 25, 2021 For Love of a Woman: Wagner’s The Flying Dutchman
Oct 24, 2021 The Pulitzer Prize in Music
1990s and the New Century
Oct 23, 2021 Death Comes at the End: Mahler’s Totenfeier
Oct 21, 2021 In Touch With the Trio Zadig