About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Jul 24, 2022 The Sound Alternative
Alphonse Allais, Erwin Schulhoff and John Cage
Jul 23, 2022 The Timeless Topicality of Opera
Jul 20, 2022 The Youth of a Composer: Rautavaara’s Lost Landscapes
Jul 19, 2022 The Symphonic Poem of Nature
Čiurlionis’ In the Forest and The Sea
Jul 18, 2022 Playing with Opera at Home: Chopin’s Variations Brillantes, Op. 12
Jul 17, 2022 Cutting a Swathe through Vivaldi
Max Richter’s The Four Seasons (after A. Vivaldi)
Jul 15, 2022 The Baschet Brothers and Their Instruments
Jul 14, 2022 A Theme of His, Dedicated to Her, Written by a Third
Brahms’ 16 Variations on a Theme by R. Schumann, Op. 9
Jul 13, 2022 Musicians and Artists: Mascagni and Bernini
Jul 12, 2022 Getting to Zero
Bruckner’s Symphony No. 0 in D Minor, “Nullte”