About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Dec 18, 2021 Practicing Without Your Orchestra
Dec 17, 2021 Legitimatizing Jazz and Failing: Copland’s Piano Concerto
Dec 16, 2021 Hearing Beethoven a New Way
Michael Gordon: Rewriting Beethoven’s Seventh Symphony
Dec 15, 2021 Mixing the Symphony and the Concerto: Lalo’s Symphonie espagnole
Dec 14, 2021 The Fortunate Fisherman: Rimsky-Korsakov’s Sadko
Dec 13, 2021 Silver Memories: Grieg’s Wedding Day at Troldhaugen
Dec 11, 2021 Changing the Unattainable: Nielsen’s Pan and Syrinx
Dec 11, 2021 Do You Know These Conductors Anecdotes?
Dec 10, 2021 Mahler for Chamber Orchestra
Dec 8, 2021 Writing in Your Native Language: Copland’s Vitebsk