About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Mar 12, 2022 How Well Do You Know French Operas?
Mar 11, 2022 Beethoven in His Year of Despair
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, “Tempest”
Mar 9, 2022 Defining the American Tragedy
Copland’s Billy the Kid Suite
Mar 7, 2022 Choosing Your Partner:
Cimarosa’s Il Matrimonio Segreto
Mar 6, 2022 The Horrors of War: Composers and Picasso’s Guernica
Mar 5, 2022 Prokofiev: Old Grandmother’s Tales
Mar 4, 2022 Musicians and Artists: Cohen and Calder
Mar 2, 2022 Producer and Evil Henchman: Rossini’s L’inganno felice
An Interview With Martin Ng
Mar 2, 2022 Mother and Maiden
Variations of “I Sing of a Maiden” in Classical Music
Feb 28, 2022 Music in National Rhythms: Vladigerov’s Bulgarian Dance