About Meet our contributors
Oliver Pashley

© Raphaël Neal

Oliver Pashley is a young London-based clarinettist and founding member of contemporary quartet The Hermes Experiment. He holds the position of Sub-Principal Clarinet with Britten Sinfonia and plays regularly with orchestras and ensembles at home and abroad, including the Philharmonia Orchestra, BBC Symphony Orchestra, Southbank Sinfonia, The Riot Ensemble, Northern Ballet Sinfonia, and the Haffner Wind Octet. Highly in demand as a soloist, chamber and orchestral musician, he has played guest principal with the Royal Philharmonic Orchestra, Royal Philharmonic Concert Orchestra, BBC Concert Orchestra, Bournemouth Symphony Orchestra, London Mozart Players, and English National Ballet.

Oliver gave a performance of Peter Maxwell Davies’ Hymnos on the Barbican main stage in an evening featuring the world première of the composer’s Tenth Symphony given by the London Symphony Orchestra. He has performed at the Schleswig-Holstein, City of London, Cambridge, Petworth, Cowbridge, and BBC Proms festivals, and in 2017 performed onstage with fellow alumni of Southbank Sinfonia on the Olivier Theatre stage in an acclaimed revival of Peter Shaffer’s play Amadeus at the National Theatre in a 6-month run.

As part of The Hermes Experiment Oliver has toured the UK and abroad. The ensemble, consisting of soprano, clarinet, double bass and harp, were winners of the Tunnell Trust Awards 2017, and were Park Lane Group Artists for 2015/16, having previously won Nonclassical’s Battle of the Bands competition in 2014. The Hermes Experiment has commissioned over 50 new works and arrangements for the group, and also frequently ventures into live improvisation, graphic score, and performance art. Recent highlights include performances at Wigmore Hall, BBC Radio 3 Open Ear at LSO St Luke’s, Tallinn Music Week, St Petersburg’s Sound Ways Festival, Southbank Centre, Kings Place and Spitalfields Festival.

Oliver studied at Cambridge University, and went on to obtain a Master’s Degree with distinction from the Guildhall School of Music and Drama. Oliver was an Artist Fellow in residence at the Guildhall School in 2014-15, which culminated in a concert featuring an unconducted performance of John Adams’ Gnarly Buttons given with the School’s New Music Ensemble.

Oliver gratefully acknowledges the support he received from the Countess of Munster Musical Trust and Help Musicians UK.

Contributed Posts
Apr 26, 2023 Bizarre and Beautiful
Maurice Ravel’s L’Heure Espagnole
Apr 25, 2023 Harmony of Two Pianos at the French May
Interview with Théo Fouchenneret
Apr 22, 2023 Qigang Chen – Vast and Varied Musical Landscapes
Apr 20, 2023 Are Performers Also Composers?
Apr 11, 2023 Ravel’s Trois Poèmes de Mallarmé – Fragile and Beautiful
Apr 1, 2023 Margherita Torretta
Mar 25, 2023 Henri Dutilleux – Mysterious, Crystalline and Colourful
Mar 24, 2023 Harriet Mackenzie and the World Heart Beat Music Academy
Mar 20, 2023 Music ‘Has to Be Alive, It Has to Live’
Igudesman & Joo
Mar 11, 2023 Unsuk Chin – Unique and Surprising Sound Worlds