We spoke the other day with Indian composer Param Vir, whose recent work, Cave of Luminous Mind, takes the writings of the 11th century Tibetan saint and poet and has created a work about the state of enlightenment. Milarepa’s thoughts

“I design my programmes according to what I want to say as a person” Ahead of the Hong Kong Music Series in London this July, Frances Wilson interviews maverick pianist and director of Music Lab, Kajeng Wong.

French harpist Anaïs Gaudemard started to play at age 8. Actually, she started on the piano but shortly after starting on keyboards, she met a harp teacher and started to study both instruments. By age 21, she had been awarded

Anne Denholm is one of today’s outstanding young harpists. A recent graduate of the Royal Academy of Music, she’s making waves in the UK and abroad as a soloist, chamber musician and collaborator. There’s demand from high places, too –

We spoke recently with Louis Langrée, Music Director of the Cincinnati Symphony Orchestra, about the CSO’s new recording, Concertos for Orchestra, modern and period orchestras, and the orchestra’s upcoming Asian tour.

Founded in 1989 by students at the Curtis Institute for Music, the Borromeo Quartet has grown over the last decades into a quartet of power and assurance. Of interest in the past few years have been their explorations of the

In 1936, the Boston Symphony’s first program in the Berkshires took place under an enormous tent, with Maestro Serge Koussevitzky at the helm. Fifteen thousand people heard the venerable ensemble in the gorgeous setting but far from ideal venue. Koussevitzky’s

We live in a world with an ageing population. One of today’s most pressing issues is how best support, engage and care for the elderly, particularly those with physical and mental disabilities. And while debate usually revolves around political, social