Interviews

218 Posts
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Connecting with Proust: A Conversation with Steven Isserlis
Cellist Steven Isserlis will be in Hong Kong in October as part of his Asian tour through South Korea, China, and Japan. The entire Asian tour has been entitled ‘Proust and Music’ and in a recent conversation with the cellist,
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Nobody Does It Better: An Interview with Graham Ross
Although the title of this piece seems to reflect an overarching ego, viz James Bond, it’s meant more of a statement about the Choir of Clare College, Cambridge. Interlude spoke with the CCC’s Director of Music, Graham Ross, in a
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A Piece Whose Time Has Finally Come
Pianist Sarah Beth Briggs was asked to play a piano reduction of Hans Gál’s Cello Concerto when her friend Antonio Meneses was working on it and was so impressed with Gál’s orchestral writing that she asked her producer, Simon Fox-
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A Musical Language Beyond Words: An Interview with Anne Queffélec
Pianist Anne Queffélec (b. 1948) entered the Paris Conservatoire at age 16, winning the first prize for piano in 1965 and the first prize for chamber music in 1965, and those two fields have been the core of her performing
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Making the Music Come Alive:
An Interview with Anderson and Roe
Duo pianists Greg Anderson and Elizabeth Joy Roe have been performing together since meeting at Juilliard in 2002. Their solo piano careers have been augmented by their duo piano careers and their international touring schedule has brought them worldwide recognition.
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A Talk with Grzegorz Kotów of the Szymanowski Quartet
The Szymanowski Quartet was founded in 1995 and has become known as a sophisticated quartet that keeps a perfect balance between intellect and passion. The founding members, Grzegorz Kotów (violin), Vladimir (Volodia) Mykytka (viola), and Marcin Sieniawski (cello), were joined
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In Touch with Olivia Jageurs and the 15 Second Harp Project
In some ways there has never been a more difficult time to be a composer. Funding cuts, an over-saturated market and classical music’s waning cultural significance mean that finding a compositional voice and a place for that voice is perhaps
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Revered Cellist Aldo Parisot full of ‘Fogo’
“The master classes are extraordinary – Aldo Parisot has that enormous, rare gift of translating musical feeling into solid information about what to do with a set of fingers and a bow… as a teacher, he is an object of
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