“Anecdotes and maxims are rich treasures to the man of the world.”
Johann Wolfgang von Goethe
The universe of classical music is jam-packed with musical anecdotes. Frequently these short narratives delineate subtle stories that highlight specific traits of a classical composer or a performer. Often humorous, anecdotes of classical composers don’t simply provoke laughter but can reveal a more general and subtle truth. We find Sophia Corri escaping her inattentive husband in an empty harp case, Beethoven being thrown in jail for vagrancy, and Rossini and Pavarotti both cooking their favorite meals. Napoleon gave free reign to his infatuation with an opera singer, Bach was challenged to a duel, and Frederick the Great had not only a great passion for music but also for a handsome Lieutenant in the Royal Guard. A musical anecdote is part of the process of telling a story, but it means sharing an experience with someone and not simply supplying him or her with information. And don’t worry, embellishment, exaggeration or fictitious invention are all part of the process. Anecdotes of classical composers impart the sense of a lived experience, as they usually involve real people in recognizable places and locations. In fact, musical anecdotes exhibit a special kind of realism and an identifiable historical dimension. Check back with us for more insightful and delightful musical anecdotes.
Ravel: Daphnis et Chloé Suite No. 2 Once upon a time, a ballet dancer had a dream of doing a ballet on a classical Greek theme. At the time, he was just a dancer in the Imperial Russian Ballet and
Having been born, raised and educated in rural Austria ill prepared Anton Bruckner (1824-1896) for the acidic and highly competitive musical environment of imperial Vienna. Retaining his shy and unassuming demeanor throughout his life, Bruckner presented a wide target for
Now, the most famous fight about music in 1913, occurred at the première of The Rite of Spring. Audience in an uproar, fights in the audience, the dancers can’t hear the music for the noise in the hall, Nijinsky futilely
Orchestral musicians like to have fun just like everyone else. We may appear dignified but fooling around is a requirement; pranks are ingenious. Sometimes the joke is on the conductor. There was once a conductor who was not, shall we
We went to a concert the other day of songs from WWI – popular tunes for a war that started a hundred years ago. What surprised us was how familiar some of the tunes were. Songs such as George M.
Can you imagine a musical universe without performances of the Messiah, Samson, Jephta, the Water Music and Music for the Royal Fireworks? These highly popular compositions might never have existed in the first place, because George Frideric Handel got into
Paul and Yan Pascal Tortelier Sons frequently follow in their father’s footsteps. Sons of Maestros often end up waving batons like the Tortelier family. I was always a fan of Paul Tortelier the French cellist, conductor and composer. He played
Ludwig van Beethoven: Piano Sonata No. 31, Op. 110 “Allegro molto” We have long known that Ludwig van Beethoven was a man of high eccentricity. Stories about his temper became legendary, and detail sudden rages, uncontrolled emotional states, suicidal tendencies,