“Anecdotes and maxims are rich treasures to the man of the world.”
Johann Wolfgang von Goethe
The universe of classical music is jam-packed with musical anecdotes. Frequently these short narratives delineate subtle stories that highlight specific traits of a classical composer or a performer. Often humorous, anecdotes of classical composers don’t simply provoke laughter but can reveal a more general and subtle truth. We find Sophia Corri escaping her inattentive husband in an empty harp case, Beethoven being thrown in jail for vagrancy, and Rossini and Pavarotti both cooking their favorite meals. Napoleon gave free reign to his infatuation with an opera singer, Bach was challenged to a duel, and Frederick the Great had not only a great passion for music but also for a handsome Lieutenant in the Royal Guard. A musical anecdote is part of the process of telling a story, but it means sharing an experience with someone and not simply supplying him or her with information. And don’t worry, embellishment, exaggeration or fictitious invention are all part of the process. Anecdotes of classical composers impart the sense of a lived experience, as they usually involve real people in recognizable places and locations. In fact, musical anecdotes exhibit a special kind of realism and an identifiable historical dimension. Check back with us for more insightful and delightful musical anecdotes.
Mozart operas are filled with commedia dell’arte stock characters, scenarios and situations that provide the framework for jokes, buffoonery, and just plain silliness! Some famous stock characters of the commedia include a pair of young people suffering from a wildly
First performed in Munich in 1811, the delightful one-act Singspiel Abu Hassan is based on a famous episode in “The Arabian Nights.” Set to music by Carl Maria von Weber, the opera features Abu Hassan (tenor) and his devoted wife
Joseph Marx (1882-1964) enjoyed an esteemed reputation as a major composer and teacher. Nikolay Medtner, one of the most important representatives of the group of composers based in Moscow that included Sergei Rachmaninoff, Alexander Scriabin and Alexander Taneyev expressed his
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One of Rimsky-Korsakov’s most beloved operas in Russia was Sadko, a tale of a musician-fisherman who makes good. This opera was given its premiere in 1896 and was staged in Moscow in 1898. The opera’s libretto was written by the
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The problems with performances in the age of Covid is that the large orchestral works are just too dangerous to assemble. In Erwin Stein’s 1921 arrangement of Mahler’s Symphony No. 4, created for Arnold Schoenberg’s ‘Society for Private Musical Performances,’
Sometime in the late 1920s, American composer Aaron Copland went to a performance of S. Ansky’s play The Dybbuk, a tale of pre-destined love and demonic possession. For a production of the play in Moscow in 1919, composer Joel Engel