Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
For one reason or another, the name Wolfgang Amadeus Mozart has become a marketing cliché, selling everything from alcohol to chocolates. Perfectly sane and healthy people swoon at the mere mention of his name, and he is habitually referred to
Leonard Slatkin conducts Shostakovich and Beethoven: 2 Ninth SymphoniesOrchestre National de Lyon, The Gulbenkian Choir, Manuela Uhl, Bea Robein,Christian Elner, Morten Frank Larsen29 June 2012, Auditorium de Lyon Watch the concert Symphony No. 9 in D minor, Op. 125, “Choral”
On 17 March 1907, Gustav Mahler (1860-1911) resigned the Artistic Directorship of the Vienna Court Opera. For years on end, discontent over his lavish salary, his extended musical tours promoting his own works, and persistent anti-Semitic attacks had finally taken
Among the great composer-musicians of the nineteenth century, Johannes Brahms (1833-1897) stands as somewhat of an anomaly. In an age that worshiped flamboyant personalities and in which composers strove to break from tradition in radical new ways, Brahms was a
