Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
Franz Schubert started his composition lessons with the famed Antonio Salieri at the age of 15. Salieri quickly realized that he was looking at an exceptional talent, and he instructed the teenage Schubert free of charge. Salieri gave Schubert a
The composer and tenor Benedikt Schack (1758-1826) was a close friend of Mozart, and he was the first performer of the role of Tamino in The Magic Flute. Schack hailed from the Bohemian provinces of the Austrian Empire, but moved
Let’s start this little series on Wolfgang Amadeus Mozart and his circle of friends with a look at the supposed relationship between Mozart and Beethoven. Biographer Otto Jahn related the following anecdote: “Beethoven… was introduced to Mozart, and played to
French Baroque composer François Couperin (1668–1733), who had a career as a composer, harpsichordist, and organist in the French royal court, was born into a famous family of Parisian musicians. He served in the court of Louis XIV as organiste
In his 1889 work known as the Enigma Variations, English composer Edward Elgar depicted his friends and neighbours in music. Although he first gave the movements coded titles, their identities were quickly figured out. In a similar fashion, the French
Johann Georg Schübler (1720-1755?) was an engraver and organist, and a private student of J.S. Bach. “He learned the music in Leipzig with the famous Bach,” but Schübler’s name is more notably connected with the publication of a set of
In 1920, Henry Prunières, editor of the French music journal Revue Musicale, commissioned 10 of the leading composers of the day to contribute to a work in memory of Claude Debussy, who had died from cancer 2 years earlier. The
Carl Philipp Emanuel (1714-1788) described his father’s household in Leipzig as a “pigeon coop.” People were constantly swarming in and out all the time, and he told the Bach biographer Forkel, “with his many activities Bach hardly had time for
