Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
We were looking at the Greek gods and thought we’d see how they’d fared in music. Some of them were subjects of whole operas or ballets, others were just characters who moved the action forward. All of them, however, have
The Italian composer Mario Castelnuovo-Tedesco (1895–1968) developed a private system of musical cryptography and used it to create a cycle of compositions. His Greeting Cards, op. 170, cycle began in 1963 and ended with the composer’s death. His system of
Belgian violin virtuoso Eugène Ysaÿe (1858–1931) wrote his six violin sonatas, Op. 27, after hearing a performance of J.S. Bach’s six violin sonatas. One writer noted ‘these sketches, almost improvisations, emerged as six intimate portraits in music of his friends
The process of adapting a piece of music for a scoring other than that of the original dates back for centuries. For one, by fashioning transcriptions and arrangements of orchestral works or operas, the public gained access to the latest
When composers are seeking to broaden their reach, they often look backwards to music for children or, their personal circumstances change so that children enter their adult world. Such was the case for Robert Schumann when he created his Album
The Italian composer and guitarist Carlo Domeniconi (b. 1947) took his education at the Rossini Conservatory in Pesaro and at the Hochschule für Musik in Berlin and combined with his interest in Turkey (he founded the classical guitar course at
It was in the summer of 1912 when hot off the heels of the sumptuous ballet score Daphnis et Chloé – his biggest creative undertaking to date – Ravel took some time off composing to recover and wait for inspiration
Ralph Vaughan Williams’ 1910 Fantasia on a Theme by Thomas Tallis was his consummate mix of all that interested him: folksong and the glories of English music from earlier centuries and their modal scales. His form was the 17th century
