Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
Pierre Boulez (1925-2016) was never particularly interested in making friends! Rather, he became thoroughly absorbed in a mission to write music worthy of his time, and to fight cynicism and indifference wherever he found them. That he mercilessly dismantled the
Shakespeare’s best-loved comedies have inspired many a composer to write glorious music. Much Ado About Nothing one of his finest comedies is full of uproarious laughs, gossip, love and deception but also delves into timeless subjects of shame, honor and
We have all heard or seen performances of the big piano concertos by Tchaikovsky, Rachmaninoff, Liszt, Grieg, Prokofiev and various others. Hordes of young lions and lionesses—technically perfect and getting increasingly younger—merrily thunder through the repertoire on their prospective ways
It is somewhat surprising that Prokofiev’s earliest effort in the symphonic genre also became one of his most popular and most frequently programmed works. Composed in 1916/17, Prokofiev subtitled his Symphony No. 1 “Classical.” That nickname was apparently chosen to
The shenanigans of Sir John Falstaff, one of William Shakespeare’s great comic characters, is next in our ten-part series of Shakespeare and music. The portly, vain character appears in Henry IV part 1 and Henry IV part 2 and Merry
The popping of champagne corks on New Year’s Eve is frequently accompanied by the music of Johann Strauss Junior. The undisputed master of the Viennese waltz, he became the most popular musician of his generation. And while many of his
The piano was the prominent vehicle for Sergei Prokofiev’s musical expression. In the tradition of the great piano virtuosos of the 19th century, he was initially looking to impress his audiences with his considerable keyboard skills. Igor Stravinsky attended a
Johannes Brahms considered the poet Johann Mayrhofer “the most serious of all Schubert’s friends.” This complicated man, full of self-hatred and driven by emotions whose violence he could not accept, transferred the conflict-ridden passions of his inner world into powerful
