Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
Joseph Canteloube (1879-1957) was a skilled composer but it’s for his unique preservation (and improvement) of the songs of his area of France that he is best remembered. Canteloube came from a départment in south central France called the Auvergne.
From his glorious summation of 19th-century Romanticism to the deeply probing psychological experimentations of 20th-century Modernism, the long career of Richard Strauss spanned one of the most chaotic political, social, and cultural periods in human history. Composing in all genres,
Grechaninov’s most enduring and influential musical gift to posterity is surely found in his liturgical music. Breaking entirely new ground, he returned to the old Slavonic traditional chants of the Russian Greek Orthodox Church. Folk-like harmonies and motivic counterpoint provide
Throughout his long and industrious musical career, Johann Sebastian Bach (1685-1750) never strayed far away from home. Content to live and work in his native community, and possibly remembering that he was once thrown in jail for overstaying his leave
Alexander Grechaninov displayed prodigious musical talents at an early age. However, his father was a barely literate tradesman who expected his son to follow in his footsteps. Against the clear wishes of his father but with financial support from his
According to his contemporaries, Johann Adolph Hasse (1699-1783) was one of the greatest masters of opera seria. Hasse had married the fabled Italian soprano Faustina Bordoni, and he specifically created the title role of his opera Cleofide of 1731 for
With his three last and largest tone poems – Ein Heldenleben (1897/8) the Sinfonia Domestica (1903) and Eine Alpensinfonie (1915) – Richard Strauss faced mounting criticism, charges of excess, megalomania, superficiality, and bad taste. For the eminent Richard Strauss scholar
The classic film noir Deception, starring Bette Davis, is a racy, classic tale of passion, jealousy, and lust for power. The romantic music written by Erich Wolfgang Korngold carries the movie. At the time, Korngold was an Austro-Hungarian Jewish refugee.
