“The only love affair I have ever had was with music.”
Maurice Ravel
The history of classical music, however, is full of fabulously gifted individuals with slightly more earthy ambitions. Love stories of classical composers are frequently retold within a romanticized narrative of sugarcoated fairy tales. To be sure, happily-ever-after stories do on rare occasions take place, but it is much more likely that classical romances lead to some rather unhappy endings. Johannes Brahms had an overriding fear of commitment, Claude Debussy drove his wife into an attempt at suicide, Francis Poulenc severely struggled with his sexual identity, and Percy Grainger was heavily into whips and bondage. And that’s only the beginning! The love life of classical composers will sometimes make you weep, or alternately shout out with joy or anguish. You might even cringe with embarrassment as we try to go beyond the usual headlines and niceties to discover the psychological makeup and the societal and cultural pressures driving these relationships. Classical composer’s love stories are not for the faint hearted; they are heightened reflections of humanity at its best and worst. Accompanying these stories of love and lust with the compositions they inspired, we are able to see composers and their relationships in a completely new light.
Paul Hindemith: String Quartet No. 3 in C major, Op. 16 The attentive and regular reader of my “In Love” column has surely come to understand that when it comes to musicians, artists and composers, love might not be the
Giuseppe Verdi: Messa da Requiem, “Agnus Dei” In psychology, empathic accuracy refers to how precisely a person can infer the thoughts and feelings of another person. Contrary to popular urban myth, women do not seem to possess superior empathic abilities
Giuseppe Verdi: La Forza del destino, Act 1, “Me pellegrina ed orfana” Having finally tied the knot, Peppe Verdi and Peppina Strepponi enjoyed an extended period of matrimonial peace. Whenever possible, they spent quality time at the Villa Verdi, located
Giuseppe Verdi, Barcarola “Al tuo bambino” Once Giuseppe Verdi and Giuseppina Strepponi had fallen in love, things got rather complicated. This is hardly surprising amongst professional people as it can be rather challenging to balance career and love. Strepponi had
Giuseppe Verdi, Nabucco, Act 2, Scene 1 Ben io t’invenni, o fatal scritto! Aria: Anch’io dischiuso un giorno Without doubt, Giuseppina Strepponi must receive credit for Verdi’s first operatic successes. Her performances in a number of his early operas not
Giuseppe Verdi, Oberto, Tutto ho perduto! (Leonora) Scholars have suggested that the inherent pathos and drama of Verdi’s operas was the direct result of the composer attempting to cope with the cruel loss of his two infant children and the
Giuseppe Verdi was a painfully private individual. Details about his romantic encounters are sketchy, and for the most part rely on his own and somewhat inconsistent recollections later in life. We do know, however, that Verdi went to live in
Cosima Liszt was the illegitimate daughter of the Hungarian pianist and composer Franz Liszt and his mistress, Marie, Comtesse d’Agoult. In order to continue his independent lifestyle — he also forbade contact between mother and daughters — Franz placed Cosima,
