I started the piano when I was five. My parents, both musicians, sensed I had talent because after my mother taught a piano lesson I would pick out the tunes with my pudgy little hands. But my first lessons were

They sit in rows, earphones on, doll in hand, and hand poised. A sound emerges, as much like singing as you can imagine. It’s a matryomin ensemble. Invented in 2003 by Japanese theremin player Masami Takeuchi, the matryomin combines two

Discovering Beethoven: A Visual Introduction Beethoven is well-known by all. However, to some this knowledge is often peripheral — just as one would not recognise an obscure Van Gogh when facing it, some average listener could struggle in identifying some

Hot off the heels of the release of their latest album Stabat, I chat to Graham Ross, Director of Music at Clare College, Cambridge about their newest release, featuring the music of Arvo Pärt alongside works by Pēteris Vasks and

When I was planning the programme for my final performance diploma, I needed a short introductory piece that would either contrast with or complement the main work in the programme, Schubert’s monumental Sonata in A, D959. I was keen to

John Gilhooly, Director of London’s prestigious Wigmore Hall, has announced a new series of lunchtime concerts at the Hall, starting on 1 June. This is, sadly, not a return to “normal” for classical music – far from it – but

Rhythm begins in the womb with the heartbeats of the mother and the child. The synchronisation of the heartbeats of a mother and her foetus does actually occur at times, this shows us how important that rhythm is to us

The first image we have of Beethoven after his death is his death mask. It was common to take a death mask of famous people, either to serve as a memory or as a basis for portraits. The method was