We are so used to attending concerts in specially-designed large halls that it is easy to forget that until about 1850, most music was experienced in people’s homes, churches, small intimate venues or ‘salons’. The Salon Concert was particularly popular

Minimalism, a musical style which developed in the US in 1960s, was a revolt against the all-pervasive atonality and fashionable “crazy creepy music” (Philip Glass) of the avant-garde, which, in its myriad forms and sub-genres, had dominated classical music since

André Previn, the remarkably versatile German-American pianist, composer, conductor, jazz musician and presenter, who died on 28 February 2019 at the age of 89, was an iconic figure in the national consciousness, and significant to me personally in my own

As our journey continues, let us explore Brahms’ (1833-1897) Three Intermezzi, Op.117. Written together with Fantasien Op.116 during a short stay at Bad Ischl, this set is even more introspective compared to the previous opus. When Brahms sent this set

The pleasures and rituals of home listening There is nothing quite like the excitement and atmosphere of hearing music performed live in a concert hall, but immense pleasure can be gained from listening at home, in the privacy of one’s

What a winter! —record-breaking snowfalls, gargantuan icicles, and freezing temperatures. Musicians go to great lengths to protect their instruments from the elements and winter does wreak havoc on them. Irwin Schulhoff: Five Pieces for String Quartet (Aviv Quartet) Just this

“There isn’t a day when I sit down to play the piano that I don’t think of him, in my mind hearing what he said when I played certain pieces” – Sarah Beth Briggs, British concert pianist

“perhaps the most impassioned music I have ever written.”Robert Schumann writing to Clara Wieck, March 1838 Never one for disguising his emotions, Robert Schumann wore his heart on his sleeve and his music reflects his joy at being alive –