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In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces that fit the particular
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces that fit the particular
A good part of a musician’s career is spent in a pit, an orchestra pit that is—for opera, ballet and musical theater productions. The pit—an open space beneath and in front of the stage—varies in shape and size and can
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces that fit the particular affect he assigned for
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces that fit the particular affect he assigned for
“We were all of us whipped, sometimes really painfully,” Rebecca Clarke once wrote. The sentence is a tragic summation of her childhood. Despite the abuse she and her siblings endured at the hands of her father, Rebecca Clarke emerged into
In our earlier series on C major and minor, G major and minor, and D major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces that fit the particular affect he assigned for a key. For the rest