The violin and the cello are two of the most beloved members of the string family. Composers, performers, and audiences have adored them both for centuries. They share a common shape and ancestry, but each is very different, too, in

In April 1919, Gabriel Fauré’s Masques et Bergamasques, a comédie musicale, with a libretto by René Fauchois, had its debut at the Opéra de Monte-Carlo. From its very title, the influence of Italian commedia dell’arte, French music, and pastoral art

All music pages present a problem for the performer: how do you get to the other side? If you’re a pianist in a performance, you have a page-turner. A page-turner is a musically literate person who sits just behind you

Like many of the Russian composers in the later 19th century, Victor Vladimirovich Ewald (1860–1935) had a day job. He completed his studies in St Petersburg in civil engineering and, in 1900, was a professor at the Faculty of Construction

In 1900, Grieg spent some time in Copenhagen, and he wrote to a friend, “although I am currently out of the country, my thoughts are only about Norway and Norwegians, about all our youthful pugnacity up there. Yes, it is

A little while ago, I wrote a blog on the 10 most beautiful piano trios and your response was overwhelming. Thank you so much for your encouraging comments, and also for suggesting additional works that should have been included. To

William Vincent Wallace (1812-1865) might not be a household name nowadays, but he was one of the major composers of Romantic English opera. And while his opera Maritana, which had a triumphant première at London’s Drury Lane Theatre on 15

“How do you get to Carnegie Hall?” the old joke goes. “Practice, practice, practice,” is the customary response. However, if you’re feeling lazy, there is another easier way you can visit: by watching films or TV shows that use Carnegie