I have recently been fascinated by the art music of Estonia, partially fuelled by the success of Arvo Pärt. But as I have explored in earlier blogs, this triumph of Estonian culture would not have been possible without the groundwork

In building up to writing her Requiem, Elisabetta Brusa (b. 1954) wrote a Marche Funèbre for piano (1984), Adagio for string orchestra (1996), Requiescat for voices and large orchestra (1994–1995), Simply Largo for string orchestra (2008), and a Stabat Mater

In the revivals of the operas of the 17th and 18th centuries, one of the modern puzzles has been the use of men in women’s roles. We did have male singers, starting in the 1950s with Alfred Deller. At first,

A first work in a genre is often a hard slog in finding out how something works. Praised as ‘distinctive and admirable’ by Liszt, this string quartet by Norwegian composer Edvard Grieg (1843–1907) was the product of much hard work

At some point in your life, if you are interested in music at all, you will have heard a tune or two by George Gershwin (1898-1937). What an absolutely unique composer freely mixing and combining classical and popular music styles.

Are you a stamp collector? I used to be, but not anymore. However, I still enjoy looking at stamps and being fascinated by the different designs. One afternoon, I was looking at my stamp collection, which made me wonder if

When we think about the great composers, it’s easy to imagine them as super-geniuses isolated in their own little rarefied world. But of course, the great composers were only human, living and working alongside other humans. Almost all of the

The words “violin” and “fiddle” are often used interchangeably to refer to the same thing: i.e., a musical instrument with four strings and played under the chin with a bow. However, even though the instruments are almost identical, that doesn’t