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Most Heartbreaking Lines of Beethoven’s Heiligenstadt Testament
When he was thirty-one years old, Ludwig van Beethoven cracked. In a touristy town just outside of Vienna, he sat down and wrote arguably the most famous letter in classical music history. It was a cry from the depths of
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Adding Overtones
Satie arranged by Thomas Dunford for Theorbo
Lutenist and theorbist Thomas Dunford has brought a new life to music that seems to have had its best exposure about 20 years ago. His skill on these two Renaissance instruments brings back many pieces of music we’d heard long
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In the Kitchenette with the Dinette, it’s The Symphonette
Morton Gould’s Symphonette No. 4, “Latin-American Symphonette”
The new interior designs of the 1930s, particularly in space-conscious New York, reduced the size of many rooms of the apartment and created the three-piece dinette (a table and two chairs) to replace the 8- to 10-seater dining table, with
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A Timbre Concerto
Ulysses Kay’s Concerto for Orchestra
American composer Ulysses Kay (1917–1995) studied with Paul Hindemith at Tanglewood and Yale and, following WWII, With Otto Leuning at Columbia. From 1946 to 1952, he was in Rome, having won the Prix de Rome not once but two times
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How Can I Be a Better Musician?
Ten Top Classical Musicians Share Their Tips
Over the years, we’ve had the honor of talking with many of the greatest musicians in classical music today. Today, we’re gathering some of their best advice for musicians in one article. If you ever find yourself stuck in a
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The Harmonious Boar
George Frideric Handel and Joseph Goupy
The German composer George Frideric Handel (1685–1759) worked in Britain and was good friends with the painter Joseph Goupy (1689–1759). In London, Handel lived a good life and was considered one of the great voluptuaries of the age, known for
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A New Water Music by Malcolm Arnold
Malcolm Arnold (1921–2006) was a master of the English light classics and wrote a great deal of his music for that ultimate British ensemble, the brass band, and he himself played the trumpet. In 1964, he was commissioned by the
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The Short Brilliant Life of the Pantheon
Opera in London in the 1790s was a cut-throat competition. Handel had abandoned Italian opera in 1741, and the quality began to fall. The high fees that singers such as the castrati Senesino and Farinelli and the soprano Cuzzoni commanded
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