I review classical music and jazz concerts. My editor says you are not a critic, do not critique the music or the performance. While sometimes I come close to critiquing the music; I hold back. But other times, there’s an

Whatever you may feel about music competitions, they are an established part of the music world, and for young musicians in particular an important means of benchmarking success and showcasing talent. For those who wish to play professionally, the publicity

Music takes a whole new meaning when seen in writing; when taken its soul away, and when left to simple ink on paper. Out of their physical contexts, musical ideas are perceived differently. This separation of physical and spiritual allows

In the 21st Century, pop stars—real, imagined or virtual—are a dime a dozen. In 250 years will we see their faces printed on chocolates, dishtowels, coffee cups and all kinds of digital media? I suspect that the great majority will

A rhapsody is a one-movement, episodic work, often featuring a contrasting moods, colours and tonalities, with a distinct air of spontaneity and improvisation. In these respects, the Rhapsody is related to the Fantasia or Fantasy or Ballade. Perhaps the most

We have not exhausted the gorgeous cello music written by women composers by any means. Here are three more outstanding gems. Rebecca Clarke (1886-1979) is another composer who deserves the limelight. A world-class viola soloist, chamber musician, and composer, Clarke

I often describe music as a language; it is in my opinion the purest of all. As are its intentions and purpose. This is how I approach creating and performing music; as a means to exchange my ideas and feelings.

I’m not that interested in sport, but I did watch the Olympic cycling from Tokyo this year. I was surprised to discover that the Austrian cyclist Anna Kiesenhofer, who won the gold medal in the Tokyo Olympics women’s road race,