Blogs

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What Does an Associate Principal Cello Do?
If you love classical music and attend symphony concerts you are aware certain musicians have titles and special responsibilities. The concertmaster does not simply get a bow at the beginning of a concert and a handshake at the end. He
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Swimming in Music
It’s summer! Where I live, it’s been humid and heavy with some days at ‘93° but feels like 124°’ (33C, feels like 51C), according to my overly helpful weather app, so definitely summer. So, let’s see where water has inspired
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Dance, Dance, Dance: The Baroque Dance Suite
Allemande, Courante, Sarabande, and Gigue In the new series on dance music, Dance, Dance, Dance, we’ll be looking at dance and how it comes into classical music. You’re going to be surprised at some of the places where it has
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When the Hero isn’t Quite Heroic
The Clueless Heroes in Classical Operas
Throughout most of the opera, there are certain tropes that repeat and repeat: the heroine will die of some wasting disease (La Bohéme, La Traviata, etc.), the hero will save the day (Die Zauberflöte), and so on. There are some
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Nickname Symphonies by Joseph Haydn
Over the last couple of days, I have conducted a little musical experiment. I noticed that 35 out of 106 Symphonies by Joseph Haydn carry a nickname of sorts. There is a “Bear,” a “Queen,” a “Philosopher,” a “Surprise,” a
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Maene-Viñoly Concert Grand Piano
“Ergonomic Keyboard”
The most valuable violins in the world sport colorful nicknames that disclose the providence of ownership or describe the sound quality or shape of the instrument. We just have to think of the “Molitor Stradivari,” the “Virgin Stradivari,” or the
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Opera Doctors – The 18th Century
A 2006 article in the British medical journal BMJ looked at 200 years of opera and how they treated doctors. This prompted us to take up the question ourselves. Doctors – good guys or bad guys? Well, it depends…. Characters
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King and Composer: Frederick II of Prussia
The court of King Frederick II (1712-1786) of Prussia was one of the most musically sparkling of its time. Led by its flute-playing king, the court began with a chamber orchestra with 17 members conducted by Johann Gottlieb Graun and
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