As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.
Email: [email protected] We would love to share your classical music experiences with our ever-growing audience. Have you:
heard an intimate church concert or glamorous grand opera lately that you want to write about?
enjoyed an especially meaningful encounter with classical music?
wanted to discuss what studying or enjoying classical music means to you personally?
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Not many composers can claim to have had their very first music composition publicly performed, but Roger Zare could. And judging from the number of awards and scholarships he has won since then, you might even assume he has perfected
“Chuchichäschtli.” “I won’t attempt to pronounce that,” I said. “Chuchichäschtli,” Charles Halka, US-based composer, pianist, and one of six composer fellows at the upcoming Intimacy of Creativity 2013, repeated with a laugh. “It’s a Swiss-German word that actually means kitchen
Karlo Margetić would like to thank fellow composer, Jack Body, for ordering him to apply to the Intimacy of Creativity 2013, because if his friend hadn’t, Karlo would have missed out on what he described as a “fantastic opportunity”. Born
To a novice like me in opera appreciation, the production of La Cenerentola at Palais Garnier on February 27 was a delightful eye opener. It all began with my first visit to Paris in 13 years last month for a
One of the hottest topics in town was the Shanghai Grand Theatre’s HD film screening of the London National Theatre production of Frankenstein. Tickets sold out immediately. Whispers crossed the city about how brilliant it was. However, this article is
When none of the primary schools in the northeast Chinese town of Dalian would admit the then seven-year old Dai Bo, his parents bought him a piano. Little did they know that Dai Bo would grow up to be an
Bringing to the table a new composition entitled Duo: in cerca, American composer Eli Marshall is 90% excited and 10% nervous about the upcoming Intimacy of Creativity workshop, calling it not only a challenge to “think outside the box, but
Even now, I often see our press and expert critics sigh about the behaviour of audiences when they talk about concerts, as if whether they applauded between movements is the only standard by which to judge how civilised they are.
