As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.
Email: [email protected] We would love to share your classical music experiences with our ever-growing audience. Have you:
heard an intimate church concert or glamorous grand opera lately that you want to write about?
enjoyed an especially meaningful encounter with classical music?
wanted to discuss what studying or enjoying classical music means to you personally?
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Hailed as “the city’s most innovative music experience” by the Financial Times, the Intimacy of Creativity, founded by Chinese-American composer Bright Sheng, begins its fourth cycle this April, to bring together internationally acclaimed performers and composers for creative dialogue and
Hailed as “the city’s most innovative music experience” by the Financial Times, the Intimacy of Creativity, founded by Chinese-American composer Bright Sheng, begins its fourth cycle this April, to bring together internationally acclaimed performers and composers for creative dialogue and
After a 34-year gap and just in time for the season, the Orchestre National de Lyon is returning to China on its second tour to celebrate not only the New Year, but also 50 years of Sino-French diplomatic relations. Under
Last month, I had the chance to attend an orchestral concert directed by Pinchas Zukerman, featuring both Canada’s National Arts Centre Orchestra – of which he is Music Director – and the Hong Kong Sinfonietta. I was apprehensive about this
A Macau Concert Profiles the Life, Words, and Music of Jesuit Missionary Matteo RicciOn June 26, the American Renaissance music ensemble ¡Sacabuche! came to Macau and joined forces with traditional Chinese musicians, singers, and orators to give musical expression to
The French folk song Au Clair de la Lune is a greater celebrity than its simple tune might suggest. Not only is it well known especially in France (even used by some mid-wives to teach labour breathing techniques) and popularly
Feng Yi Ting on Luminato Fesival’s 2013 playbill attracted me in a similar way that The Infernal Comedy featuring John Malkovich attracted me in 2010. The former was Canadian film and stage director Atom Egoyan’s modern interpretation of the Chinese