Tempo rubato (literally “stolen time” in Italian) is perhaps most closely associated with the music of Fryderyk Chopin, his friend and fellow composer Franz Liszt, and other composers of the Romantic period. But it is possible to achieve rubato effectively
Opinion
Today we seem to spend far too much of our daily lives trying to do things at high speed or in a hurry, without allowing ourselves time to stand still and think, or to look up occasionally to admire a
“Never play faster than you can think” This well-known maxim by pianist, teacher and composer Tobias Matthay has a relevance both in day-to-day practice, and also in performance. When we practice, in our eagerness to move on to a new
On the most basic level, we practice to get better, to become proficient, to ensure we never play a wrong note. However, productive practising should never just be mindless “note bashing”. As pianist and renowned teacher Seymour Bernstein says in
There is so much in music that is subjective and open to personal taste and interpretation. In order for us to play convincingly, we have to develop an interpretation that is meaningful TO US vivid in all its details. Unless
How Do Musicians Express Their Emotions through Music? Music is a powerful means of communication, by which people share emotions, intentions, and meanings, and our personal engagement with music, whether in a live concert, listening to a CD or via
How we consume and listen to music has been transformed by digital technology. Where once recorded music was available only on the radio and vinyl LPs, reel-to-reel tape (and later tape cassettes) and CDs, it is now possible to access