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Ways of Listening
“Art is not what you see, but what you make others see.” This quote from the French artist Edgar Degas could be paraphrased for music – Music is not what you hear, but what you make others hear. In other
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Cello Music by Women Composers VI
Price, Beamish, Higdon, and Larsen
We are now delving into the 20th and 21st century with a few more outstanding women composers who wrote cello music. Florence Price (1887-1953), an American pianist, composer, organist, and teacher, is not only the first African American woman to
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On This Day
16 October: World Food Day
On 16 October 1945, the United Nations founded the Food and Agriculture Organization. To commemorate this day, countries around the world annually celebrate World Food Day on 16 October. The FAO is an intergovernmental organization dedicated to achieving food security
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On This Day
14 October: Leonard Bernstein Died
On 14 October 1990, five days after announcing his retirement from conducting, Leonard Bernstein died in his New York apartment at “The Dakota.” Bernstein had been ill for years as he suffered from emphysema, asthma attacks and bouts of bronchitis
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Forgotten Pianists: Monique de La Bruchollerie
Following the line from Franz Liszt, through his pupil Emil von Sauer, French pianist Monique de La Bruchollerie (1915-1972) was one of the great pianists of her day, which ended far too quickly. Her family was one of musicians, with
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The Pulitzer Prize in Music
1940s and 1950s
The Pulitzer Prize was first awarded in 1917, following instructions left by newspaper publisher Joseph Pulitzer in his 1904 will. The Pulitzer Prize in Music was established in 1943 after being converted from an annual scholarship for “the student of
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Making It Easier for Audiences
As concert life begins to return to something resembling “normal” after months of silence – the result of government restrictions in response to the coronavirus pandemic – venues, promoters and indeed the performers themselves can do a great deal to
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Chamber Music by Women Composers II
Mendelssohn, Lombardini, Bonis, Smith, and Tailleferre
Musicologists have suggested that “the life of Fanny Mendelssohn Hensel (1805-1847) is compelling proof that women’s failure to compete with men on the compositional playing-field has been the result of social prejudice and patriarchal mores, which in the nineteenth century
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