Alan Rusbridger, journalist and former editor-in-chief of The Guardian newspaper, gave us some fascinating insights into the world of the amateur pianist in his 2013 book ‘Play It Again’ – a world hitherto regarded by many as the realm of
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GRADUAL RETURN Now that live concerts are becoming more of a reality, I’ve been approached by several musicians about how to safely return to playing after a hiatus without injuring ourselves. It’s essential to return gradually. Begin with 10 minutes.
If there is one art form that wears its passion on its sleeve, it is classical music. Images of conductors in full flight have become the go-to photos and videos for people who are looking to express visually the passion
Vincenzo Bellini (1801-1835) was the undisputed master of writing gorgeous melodies. Sensuous in expression and pure in style, Bellini was closely connected with the “bel canto” style of the great singers of his day. In his music, he always looked
In 2020, Ralph Vaughan Williams’ ‘The Lark Ascending’ topped Classic FM’s Hall of Fame as Britain’s most favourite piece of classical music. And it’s not the first time this piece has topped a poll of listeners – in fact it’s
“The only other pianist” – Arturo Benedetti Michelangeli “Recently I listened to a pianist on the radio who impressed me very much: Sergio Fiorentino, do you know him?” – Vladimir Horowitz It takes a musical genius to be such highly
Julian Johnson is a lecturer in music at the University of Oxford. In his book, Who needs classical music?, he asks why isn’t classical music popular? He doesn’t answer the question, either because he can’t, or no one can, or
To the outsider, the conductor looks as though he holds the oddest position in the orchestra – he may be the focus of the audience’s attention, but the orchestra barely seems to look at him. He turns his back to