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When the Winter Wreaks Havoc on Your Instrument (and You!)
What a winter! —record-breaking snowfalls, gargantuan icicles, and freezing temperatures. Musicians go to great lengths to protect their instruments from the elements and winter does wreak havoc on them. Irwin Schulhoff: Five Pieces for String Quartet (Aviv Quartet) Just this
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Meyerbeer: Les Huguenots
Premiered Today in 1836
What do you call the massacre of thousands of Huguenot Protestants by Catholic forces on St. Bartholomew’s Day, 1572? In artistic terms, you’d have to call it the most successful opera of the 19th century. When Meyerbeer’s Les Huguenots premiered
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Remembering Denis Matthews
“There isn’t a day when I sit down to play the piano that I don’t think of him, in my mind hearing what he said when I played certain pieces” – Sarah Beth Briggs, British concert pianist
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A Love Letter in Music
Schumann’s Fantasie in C, Op. 17
“perhaps the most impassioned music I have ever written.”Robert Schumann writing to Clara Wieck, March 1838 Never one for disguising his emotions, Robert Schumann wore his heart on his sleeve and his music reflects his joy at being alive –
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Moved to Tears
Music has the power to tug at the heartstrings, and evoking emotion is the main purpose of music – whether it’s joy or sadness, excitement or meditation. A certain melody or line of a song, a falling phrase, the delayed
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In Classical Music Performances, Do Appearances Matter?
Anyone in the field of the performing arts knows that first impressions are important. After all, as soon as performers walk onstage, even before the performance begins, audiences are bound to form some opinion on how likeable they are. Dancers
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Liszt: Les Préludes
Premiered Today in 1854
Franz Liszt’s flamboyant personality and colorful pianistic mannerisms frequently detract from the fact that he was a highly gifted composer. What’s more, he was instrumental in establishing the intellectual foundations for a musical form that derives its movement and its
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The Curious Soundworld of Alexander Scriabin
The music of Alexander Scriabin inhabits a distinctive, personal soundworld which is hard to define. It is the music of excess, ecstasy, tumult and passion. It is excessive, overripe, decadent, heavily perfumed, sensuous and frenzied, lacking in structure and sometimes
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