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Agree to disagree
On reading concert reviews What do you do when you read a concert review that you disagree with? Do you bristle with ripe indignation because the reviewer did not concur with your view of the concert and then fire off
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Responsibilities
Of audiences, performers and concert venues
A concert is an occasion, an event, and as such has its own special etiquette and “rules of engagement”. As the audience we have certain responsibilities, including arriving on time, sitting quietly during the performance, showing our appreciation for the
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Preludes for Piano
There is a great tradition of prelude writing which stretches back to J S Bach, and beyond to the Renaissance, when musicians would use an improvisatory Praeludium (Prelude) as an opportunity to warm up fingers and check the instrument’s tuning
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Dmitri Hvorostovsky (1962-2017)
Elvis of Opera
Affectionately known as “Dima” to his family and closest friends, Dmitri Hvorostovsky commanded the operatic stage with his smoldering good looks and one of the most distinctive voices of his time. His velvety yet dark-grained baritone timbre, seamless legato and
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Changing the Vocabulary
The way we interact with students, and the language we use with which to communicate with them, can have a profound effect on how our students react to our teaching and their own attitude to music making. Young people in
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Give it a Rest
On leaving and returning to familiar repertoire
I’ve recommenced work on Schubert’s penultimate piano sonata (D 959 in A), following a few months’ hiatus due to family health issues, during which I was unable to give the music my full and proper attention. This sonata has become
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Helen Keller: A Great Lover of Music
Helen Keller was born in Tuscumbria, Alabama, in the summer of 1880. Nineteen months later, she fell ill (likely with scarlet fever or meningitis) and became deaf and blind. As Helen grew up, she communicated in a rudimentary way with
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In the valley, by the water, on the mountain
The new trend of village festivals In the early 4th century, Wang Xizhi (王羲之), often hailed as the greatest calligrapher of all times and best known for his running style calligraphy, wrote Lanting Xu (蘭亭集序 Preface to the Orchid Pavilion)
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