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The Three C’s: Confidence Commitment Concentration
Sometimes, and more frequently that you might imagine, my husband’s world (mountain-biking) and mine (music) intersect, with interesting results. At first sight, our respective passions could not be more different: he likes to hurl himself and his bike down the
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Forgotten Pianists: Benno Moiseiwitsch
Benno Moiseiwitsch (1890-1963) was another of the great pianists who came onto the international stage in the 1930s and who brought an elegance of performance matched with a relaxed virtuosic style.
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Note Bashing
I never thought I’d write an article on “note bashing”. In general it’s not something I advocate – mindless repetitive practise, thoughtlessly hammering away at the same phrase or group of notes. However, during my work on one of Schubert’s
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Playing for Progress: In Touch with Alyson Frazier
2016 has certainly seen more crises than most years. But while the attention of the general public and the media tends to move quickly from one disaster to the next, many of those crises remain far from resolved. One of
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Forgotten Pianists: Egon Petri
Pianist Egon Petri (1881-1962) was a Dutch citizen, born in Hannover, Germany, to Dutch parents. He first learned violin from his father, Henri Petri, who had been a student of Joseph Joachim, one of the most significant violinists of the
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Electrifying Versatility: Nicolai Gedda (1925-2017)
Nicolai Gedda (1925-2017) was one of the most versatile lyrical tenors of the 20th century. He was rightfully called the “poet among lyric tenors,” and Luciano Pavarotti suggested “there is no tenor with a greater ease in the upper register
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The Writings on the Score
As musicians our musical scores are very personal to us, and the markings and annotations we make on our scores can be deeply associated with memories – of significant teachers, special concerts and venues, colleagues and friends, and may even
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Forgotten Pianists: Josef Lhévinne
From his very first concerts at age 14, Josef Lhévinne (1874-1944) was recognized as a pianist with a brilliant future. He studied at the Moscow Conservatory from age 11 with Vasilly Safonov, who reformed the skills of the boy who
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