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In touch with Zhang Hao Chen
The Intimacy of Creativity, HKUST Zhang Hao Chen, the winner of the 13th Van Cliburn International Piano Competition in 2009, has been living in the centre of media focus since then. Three years whizzed by, and the young pianist has
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Listen Hear: Protecting your Most Precious Sense,
Part 1
Without music life is unthinkable. Audience members and musicians are passionate about it, yet few people realize that decibels can be dangerous! Our world is toxically noisy and our hearing is jeopardized on a daily basis. The majority of cases
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Fou Ts’ong, Taipei, April 28
China’s Legendary Cold-War Era Pianist gave a show to a packed house in Taipei last weekend, cementing his status as an elder statesman of China’s classical music universe, and of the piano, full stop. He is one of the few
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In touch with Bright Sheng at The Intimacy of Creativity
Artist: Bright Sheng Date: 22 April 2012Venue: HKUST, Art Hall Initiated by world-renowned composer and pianist Bright Sheng, the Intimacy of Creativity is a two-week composition symposium. Selected pieces are constantly revised and refined to the best shape through rehearsal
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The Curse of the Ninth
Gustav Mahler Das klagende Lied (1880) Kindertotenlieder (1904) Symphony No. 9 (1909) Summer of 1907 came as a nightmare for Austrian-Jewish composer Gustav Mahler (1860-1911). His five year old daughter Maria Anna died of scarlet fever and diphtheria; he lost
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Make Money or Art?
Within the first two months of 2012, China has hosted the London Phil, the Vienna Radio Symphony Orchestra, the Royal Concertgebouw, the London Symphony Orchestra and the Bavarian Radio Symphony Orchestra. The Philharmonia, St Martin in the Fields and the
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PROMS
The Minnesota Orchestra Anton Bruckner Symphony No. 4 in E flat major, WAB 104, “Romantic” (1888 version, ed. B. Korstvedt) Beethoven Symphony No. 9 in D minor, Op. 125, “Choral” Proms. The word brings to mind memories of parties past,
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Messian’s L’Ascension and Puccini’s Suor Angelica ; “Taiwan Philharmonic, the National Symphony Orchestra”
When Lü Shao-chia (呂紹嘉) returned from the Staatsoper Hannover for the directorship of the NSO, he inherited an ensemble already steeped in Austro-German music and musicianship, on account of both the education of many orchestra members and the directorship of
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