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Gustav Mahler’s Final Journey
If you find yourself in Vienna with a bit of free time on your hands, you might well consider taking a short excursion to Grinzing. This charming old wine village still preserves architectural objects from Roman times, but it is
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Where Did the Inspiration Go?
Is it true that success removes inspiration and the drive to create and explore? If it does not happen to all, it is certainly observable with many. Particularly with recent composers and artists. Throughout the first quarter of the 21st
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On This Day
16 May: Smetana’s Dalibor Was Premiered
On 16 May 1868, the New Town Theatre in Prague saw the premiere of Bedřich Smetana’s opera Dalibor. The premiere sounded on the day of the ceremonial laying of the foundation stone of the National Theatre with the composer conducting.
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On This Day
15 May: Anne Akiko Meyers Was Born
Born in San Diego on 15 May 1970, Anne Akiko Meyers is undoubtedly one of the world’s most esteemed violinists. Possessing flawless technique and artistry, critics and audiences marvel at her “wonderous palette of tones that range from edgy and
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Why Learning to Play the Piano or Any Musical Instrument Saves Lives
Once a status symbol for middle-class families, pianos are now nearly impossible to even give away. It’s true that an old piano is costly to move and pricey to refurbish, but I was viscerally distressed to read how many pianos
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Erik Satie
The Rosicrucian Adventure
In a ranking of madcap artists and composers, Erik Satie would almost certainly take first prize. His whacky eccentricities, tied to the subconscious world of chimera and dream, are surely the essence of French decadence. As we approach his birthday
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John Cage: A Beginner’s Guide to the Fascinating Composer
It seems like everyone in the music world has opinions about the music of John Cage. Some people love his work, while others loathe it. Regardless of how you feel, it’s always a great idea to learn more about any
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On This Day
10 May: Strauss’ Guntram Was Premiered
All beginnings are difficult, but you have to start somewhere. This might well have been the motto for Guntram, the first opera by Richard Strauss. Or, as the composer himself declared, “all of Guntram is a prelude.” Working on the
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