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Bruckner’s Crypt – A Return to St Florian Monastery
This year, in 2024, we are celebrating the 200th birthday of an inventive and revered composer of the late 19th century, Anton Bruckner. Having performed his symphonies many times, what better way to honor the composer than to make a
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On This Day
2 September: Weill’s Happy End Was Premiered
The Threepenny Opera, the most famous collaboration between Bertold Brecht and Kurt Weill premiered on 31 August 1928. It was a resounding success with critics and audiences alike. A contemporary critic writes that the work is “the weightiest possible lowbrow
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On This Day
31 August: Daniel Harding Was Born
Considered Britain’s most gifted and respected export among conductors after Simon Rattle, Daniel Harding’s devotion to music is “matched by his love of football, fast cars, and planes.” His early conducting career was truly remarkable as he was given the
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Depicting One’s Friends Music: C.P.E. Bach’s Character Pieces
C.P.E. Bach composed a number of character pieces for solo keyboard between 1754 and 1758. He used a French model, the pièce de caractère, and called his works Petites Pièces. The works were named after Bach’s friends and acquaintances. Although
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Violin vs. Cello: What’s the Difference? And Which One Should I Play?
The violin and the cello are two of the most beloved members of the string family. Composers, performers, and audiences have adored them both for centuries. They share a common shape and ancestry, but each is very different, too, in
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On This Day
28 August: Imogen Cooper Was Born
Sir Simon Rattle famously wrote, “Imogen Cooper is one of the greatest musicians England has produced. She’s utterly without show. Mozart, Schumann and Schubert could have been written for her. There’s a poetic, reflective side to her which is always
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On This Day
26 August: Dina Ugorskaja Was Born
Dina Ugorskaja is frequently hailed as a “philosopher at the piano,” internationally known for her thoughtful and sensitive interpretations. During her struggles with cancer in her final years, Ugorskaja projected a sense of darkness that made her interpretations “fearsomely beautiful,
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Playing in the Past
Fauré: Masques et Bergamasques Suite
In April 1919, Gabriel Fauré’s Masques et Bergamasques, a comédie musicale, with a libretto by René Fauchois, had its debut at the Opéra de Monte-Carlo. From its very title, the influence of Italian commedia dell’arte, French music, and pastoral art
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