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What’s Better Than One Violin, Viola, and Cello? TWO! String Sextets
The combination of two violins, two violas, and two cellos is a lush and almost orchestral sound. Most musicians I know relish the opportunity to play string sextets. Even so, these works are not played as often as other chamber
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Dance, Dance, Dance: The Pavan and Galliard
We saw in the Baroque dance suite that the dances were in pairs: Allemande–Courente and then Sarabande–Gigue. Those dances had tempos of slow/fast and this continues with our next pair, the Pavane and Galliard. The Pavan came from Italy and
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Food and Meals as the Cue in Operas
Meals and food in operas can be dramatic turning points – let’s look at how they can help us understand the character more deeply or provide the push for the action. At the very end of Mozart’s Don Giovanni, the
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On This Day
1 September: Seiji Ozawa Was Born
The iconic Japanese conductor Seiji Ozawa is internationally known for his energetic conducting style and his advocacy of modern composers. He attributes his involved podium style to his first conducting teacher, Saito, and to the language barrier he feels he
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On This Day
31 August: Itzhak Perlman Was Born
Itzhak Perlman is one of the world’s most popular classical musicians. “Beloved for his charm and humanity as well as his talent, he is treasured by audiences throughout the world who respond not only to his remarkable artistry, but also
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Playing the Cello: The Best Icebreaker
You’ve probably heard the cello on numerous occasions either because you love its deep baritone sounds or because the cello is used whenever someone dies in a movie. The cello—its vibrant sounds so close to the human voice—is the perfect
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On This Day
29 August: Mirga Gražinytė-Tyla Was Born
Mirga Gražinytė-Tyla is, without doubt, one of the most in demand conductors and music directors of our times. Gentle, strong, calm and self-confident, she proudly says, “The only thing that could ever stop me is my own lack of imagination.”
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On This Day
28 August: Bohuslav Martinů Died
Escaping Nazi oppression, Bohuslav Martinů found refuge in the United States. Struggling financially and eternally homesick, Martinů started to set folk song texts that became a symbolic connection to his beloved homeland. Dejected dreamlike vision of peace and the longing
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