“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
The classicist painter Anselm Feuerbach was one of the artists who formed a close friendship with Brahms, and who was often compared to him. He sought in his art to both follow a stringent aesthetic and a Classical restraint, while
In the middle of Houston, Texas, lies a point of solitude. Given the title of a chapel, it’s a place for spiritual matters, but at the same time, it’s a gathering place for world leaders seeking solutions that will culminate
Francis Poulenc knew all the best poets, setting the works of Apollinaire and Éluard again and again. He set the poets to opera (Les Mamelles de Tiresias), for a cappella choir, for voice and piano, in a secular cantata (Figure
In his ground-breaking book on physiognomy, the Swiss writer Johan Kaspar Lavater (1741-1801) sought to find the face of God in the men around him. Taking literally the notion that God created man in his own image, Lavater, sought to
The American composer and critic Virgil Thomson (1896-1989) believed in the ‘discipline of spontaneity.’ His music aimed at a clarity and simplicity that was unusual in 20th century composers. One of the outcomes of this search for spontaneity was his
Johann Christian Bach (1735-1782) was the youngest of J.S. Bach’s eleven sons and made his career in London, where he was called the “English Bach.” Born when his father was 50 years old, he lived with his older half-brother C.P.E.
The French pastillist Maurice Quentin de La Tour (1704-1788) is known for his portraits of the most famous men and women of his time, including Voltaire, Rousseau, Louis XV and Madame de Pompadour. He also captured some of the most
The painter Rosalba Carriera (ca. 1673-1757) was born in Venice and made her name in portrait miniatures. Her work in pastels made her popular and she chose to show this in her own self-portrait where her self-portait was in pastels
