“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
On the basis of his sentimental and declamatory verse, Alfred de Musset has not been well judged by mid-twentieth-century criticism. Yet, Musset is perhaps the first French poet since the Renaissance to make humor a vehicle for impulses essentially lyrical.
Aaron Douglas (1899-1979), was a leading painter in the Harlem Renaissance. In 1934, he created a 4-panel mural for the 135th Street branch of the New York Public Library. This branch later became NYPL’s Schomburg Center for Research in Black
Arthur Rimbaud was highly critical of Alfred de Musset’s work. In his “Letters of a Seer” he wrote, “Musset did not accomplish anything because he closed his eyes before the visions.” Just exactly what visions Rimbaud had in mind we
The French dramatist, poet and novelist Alfred de Musset (1810-1857) is probably best known for his autobiographical novel La Confession d’un enfant du siècle (The Confession of a Child of the Century). It was inspired by his scandalous real-time affair
The German Romantic painter Caspar David Friedrich (1774-1840) is best known for his allegorical landscapes. Contemplating nature, he sought to convey a subjective, emotional response to the natural world. He was looking not just to explore the blissful enjoyment of
Joseph von Eichendorff was the quintessential poet of the German landscape. His indirect mode of representation is almost pictorial. Fields, trees, woods, river and streams conjure up images experienced at morning, noon, evening, dusk, and night. Each moment has its
Joseph von Eichendorff’s poetry addresses a number of basic concepts, including the passing of time and nostalgia. Time for Eichendorff “is not just a natural phenomenon but each day and each of our nights have a metaphysical dimension.” The morning,
At what must be regarded as one of the most well-known painting exhibitions in music, Modest Mussorgsky’s 1874 piano work Pictures at an Exhibition takes the listener around a gallery of his late friend Viktor Hartmann’s paintings. Hartman died in
