“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
The poet, novelist, translator, and playwright Joseph von Eichendorff (1788-1857) might not be a household name today. Yet, his poetry was set to music approximately 5,000 times, rivaling if not surpassing the number of musical settings of Goethe and Heine.
Éric Montalbetti started to make his music public in 2015, following 20 years at the Philharmonic Orchestra of France as Artistic Director. He had started composing at the age of 11 and did his studies at IRCAM and the Collège
Fanny Brawne met John Keats at Wentworth Place in November 1818. She was described as “small, her eyes were blue and often enhanced by blue ribbons in her brown hair… She was not conventionally beautiful; her nose was a little
Tuberculosis, or consumption as it was known throughout the 19th century—decisively shaped the social history of Europe. Its impact on the artistic world was extremely powerful, with artists offering their own commentaries on the disease through painting, poetry and opera.
The English Romantic poet John Keats (1795-1821) tragically died from tuberculosis at the age of 25. Creating a profound body of work under the cloud of near-constant illness, Keats captured extreme emotions through an emphasis on natural imagery. In the
In 1936, Edna St. Vincent Millay and George Dillon published a translation of Baudelaire’s “The Flowers of Evil.” Trying to infuse the publication with a sense of authority, they asked the French poet, essayist, and philosopher Paul Valéry for an
“La vie antérieure” (A former life) originates in Baudelaire’s Les Fleurs du Mal first published in 1857. The collection was reissued in 1861 and published for the final time in 1868 after Baudelaire died. Baudelaire is generally considered to be
Setting the poetry of Baudelaire to music is a highly complex undertaking. His poems have a complexity of thought and a richness of verbal music that almost defy the composer to add anything. Francis Poulenc, who devoured Baudelaire’s verse avidly
