“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
Johann Christian Bach (1735-1782) was the youngest of J.S. Bach’s eleven sons and made his career in London, where he was called the “English Bach.” Born when his father was 50 years old, he lived with his older half-brother C.P.E.
The French pastillist Maurice Quentin de La Tour (1704-1788) is known for his portraits of the most famous men and women of his time, including Voltaire, Rousseau, Louis XV and Madame de Pompadour. He also captured some of the most
The painter Rosalba Carriera (ca. 1673-1757) was born in Venice and made her name in portrait miniatures. Her work in pastels made her popular and she chose to show this in her own self-portrait where her self-portait was in pastels
The Italian soprano castrato singer Carlo Borschi, better known simply as Farinelli, studied in Naples under the most famous teacher of singing of the day, Nicola Porpora. Porpora, a successful opera composer, had his student debut in his work Angelica
Louis Moreau Gottschalk was the original 19th-century musical rebel. Born in New Orleans, Louisiana, in 1829, he was a music prodigy, making his public debut at age 11. When he was 13, he went to Paris with his father and
In his monumental painting, The Wedding at Cana (1563), the Italian painter Paolo Veronese (1528-1588) portrayed the biblical story of the marriage at Cana (John 2:1-11) where Jesus saves the celebration by his miraculous conversion of water into wine. The
The French neo-classical painter Jean-Auguste-Domique Ingres (1780-1867) was very much a student of the academic painter Jacques-Louis David and brought David’s classical and restrained model into the nineteenth century. In addition to his considerable painting skills, he was also a
The American artist Beauford Delaney was born in Knoxville, Tennessee, in 1901 and showed skill in drawing from an early age. His activities in New York City during the Harlem Renaissance as a pastel portraitist brought him into conjunction with
