“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
The London of William Hogarth’s time was one of raucous politicizing, upwardly aspiring young women, and young men ready to be tempted by the delights of the world. Well, rather like today. In his 8-painting series, A Rake’s Progress, painted
Music is supposed to be a gift from Heaven. We have all seen beautiful paintings where the dove—representing the Holy Spirit—whispers sweet melodies into the ear of Pope Gregor. Gregor immediately started to write down these heavenly melodies and codified
The Pre-Raphaelites as a group were founded in 1848 and quickly became a 7-man brotherhood. The group was started by William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti who were then joined by William Michael Rossetti, James Collinson,
At the turn of the 20th century the great symphonic composers, Beethoven and Brahms, became symbols for artists such as Max Klinger (1857-1920), an amateur pianist, painter, sculptor and engraver. Klinger saw their music as an expression of the fate
Claude Debussy’s entire musical outlook changed after he experienced the subtle and graceful arts of Japan. As a contrast to the filled and busy impressionist paintings that surrounded him, many of the Japanese woodcuts he admired were just as filled
In many of my previous articles for this publication I have written about the close relationship between art and music. Over the course of the next few months, I would like to concentrate on specific artists and their direct relationship
We know Sandro Botticelli as that 15th-century painter who was able to capture the ineffable in his works, be it the personification of a season, the birth of a goddess, or an important Biblical meeting. The early Renaissance painter Botticelli
It might be termed a double tragedy: one is a monumental artwork commemorating a tragic episode in French history and the other a monumental musical work that suffered from the political tensions of the day.
