“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
Once upon a time, the life of a traveling piano virtuoso was a veritable nightmare. Performers traveled long days and dark nights in rickety horse-drawn coaches over slippery roads and muddy fields. If they could afford the luxury, they spent
Arcangelo Corelli (1653-1713) and Johann Sebastian Bach (1685-1750) were two of the composers most familiar to me in my youth, with their oratorios, concerti grossi and choral compositions, respectively, heard particularly during the Christmas Season. Today’s article will reflect on
Surprising, as it may sound, some of the most intimate and convincing synergies between architecture and music were created in the 20th century. Take for example the “Philips Pavilion” designed to celebrate postwar technological progress for the World’s Fair Expo
“J’écris ce qui me chante” – “I write of that which sings to me”Francis Poulenc In 1916 in Paris, Francis Poulenc (1899-1963), a largely self-taught composer, was introduced by a close friend to Adrienne Monnier’s bookshop ‘La Maison des Amis
If you are a connoisseur of classical music and an opera buff, today’s trivia question is going to be child’s play. Here it goes: What is the only theater still standing today in which Wolfgang Amadeus Mozart personally performed? Will
In last month’s article I focused on the relationships between musicians, artists and writers in 19th century Russia, which foreshadowed the even more drastic changes of the beginning of the 20th century. Not only would the artists and painters, associated
During the summer months of July and August, the city center of Vienna turns into a veritable assemblage of the United Nations. People from all corners and regions of the world visit the self-proclaimed “City of Music” to experience its
The recent exhibition of ‘Diaghilev and the Ballets Russes’ at the National Gallery in Washington, D.C. and several of the recent Interlude articles on the same subject raised interesting and important questions about the connection and inter-relationship between the arts
