“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
Viennese audiences, throughout the establishment of their city as a cultural and musical center, have not only been known for their artistic expertise, but also for their fickleness. A deep-seated reliance on musical and cultural traditions informed much of the
Pianist Simone Dinnerstein has recently released a new compact disk with the title “Something Almost Being Said – Music of Bach and Schubert” which includes Bach’s Partita No. 1 in B-Flat Major, Bach’s Partita No.2 in C-Minor and Schubert’s Four
J. S. Bach: St. Matthew Passion, “Kommt ihr Töchter helft mir klagen” One of the most wonderful experiences while traveling in Europe is the ability to visit monuments, castles, churches and civic buildings, and the spaces within the urban or
Wilhelm Furtwängler had asked Paul Hindemith to write an orchestral work for the Berlin Philharmonic’s 1933/34 season – just at the moment when Hindemith had decided to write an opera based on the famous Isenheimer Altar (now in the Unterlinden
Have you ever heard of Enrico Carella and Massimiliano Marchetti? There is really no reason why these names should be particularly memorable, except for the fact that these two knuckleheads deliberately set fire to one of the most famous opera
The current exhibition at the National Gallery of Art in Washington, D.C. “Diaghilev and the Ballets Russes, 1909-1929: When Art Danced with Music” brings into focus one of the most productive eras in the arts, in which poetry, art, theater,
Giovanni Gabrieli, In ecclesiis I vividly remember my first visit to Venice. Mind you, I came prepared, at least in the literary sense, as I had eagerly plowed through various portrayals of the city in novels ranging from Lady Chatterley’s
A recent exhibition of major works by the Pre-Raphaelite painters at the National Gallery in Washington, D.C. brings into focus the close relationship between painting, poetry and music which existed throughout much of the 19th century.
