“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
Every year on 7 December something magical happens in the Italian city of Milan. For one, the city celebrates its patron saint Ambrose (340-397). A revered archbishop, he is widely recognized as one of the most influential ecclesiastical figures who
Later mythologized as a true Italian, Giuseppe Verdi was born on October 10, 1813 in Busseto as a French subject, which seems to have disturbed him enough to lead him to represent that he had in fact been born in
Guillaume Dufay, Nuper rosarum flores For almost 600 years, the Basilica di Santa Maria del Fiore (Cathedral of Saint Mary of the Flower) has dominated the cityscape of Florence. Build on the site of an earlier cathedral dedicated to Saint
In many of Wagner’s theoretical writings, such as “Die Kunst und die Religion” (Art and Religion – 1849), “Das Kunstwerk der Zukunft” (The Artwork of the Future – 1849) and “Oper und Drama” (Opera and Drama – 1852), the concept
In the 19th century, Paris was one of the most important music capitals of Europe. Richard Wagner, during his ‘Wanderjahre’ (years of wandering from Riga to London, Dresden and Zűrich – mainly to escape his various creditors), attempted several times
Dresden, with its well-known Sächsische Staatskapelle, Kreuzchor and Semper Opera House, cannot only be considered one of the great ‘musical’ cities in Germany, but most importantly, its cultural and political milieu played a significant role in the musical and artistic
Fin-de Siècle Vienna’s ‘Second Generation’ Art and Music In his opus, ‘Der Mann ohne Eigenschaften’ (The Man without Qualities) the Austrian writer Robert Musil, considered by many the Marcel Proust of Fin-de-Siècle Vienna, stated that Austria’s intellectuals, artists and writers
Gustav Klimt started his career as architectural decorator just as the Ringstrasse program of monumental building entered its final phase – in fact, he had been hired to decorate the interior staircase of the Fine Arts Museum. He subsequently became
