“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
Erik Satie: Sports et Divertissements Erik Satie‘s piano cycle Sports et divertissements was inspired by twenty drawings by the caricaturist Charles Martin, or perhaps it was the other way around: it was Satie’s ideas for the music that inspired the
Thea Musgrave: The Seasons Inspired by Paintings From the 15th to 20th Century When we think of a musical work called The Seasons, we first think of Vivaldi’s set of violin concertos or Glazunov’s ballet or Tchaikovsky’s cycle for piano,
Born in a small town in the Swiss Jura region famous for precision watchmaking on 6 October 1887, Charles-Édouard Jeanneret, later known as Le Corbusier, was one of the great pioneers of Modernism in architecture. His designs, buildings, and urban
George Antheil: La femme 100 têtes In 1929, the German/American/French artist Max Ernst (1891-1976) created a new kind of graphic novel. In La femme 100 têtes, he created his collage-novel (as he called it) by cutting up illustrations from 19th-century
Bernd Alois Zimmermann: Photoptosis (Incidence of Light) Created for the celebrations for the 100th anniversary of the Gelsenkirchen town bank, Bernd Alois Zimmerman’s 1968 work Photoptosis (Incidence of Light) looked to the gigantic paintings created by French artist Yves Klein
In pre-Islamic Arabia the “Jinn” represented invisible spirits inhabiting the earth. Unseen by humans, they are capable of assuming various forms and exercising extraordinary powers. In common Arabic mythology, jinn “are capable of assuming human or animal form and are
Judith Bingham: Roman Conversions In her 2017 organ work, Roman Conversions, British composer Judith Bingham looks at ‘five metamorphoses’ that happened in Rome, beginning in ancient times and concluding in the Baroque. Her first movement describes the setting: San Clemente:
“One man scorned and covered with scars still strove with his last ounce of courage to reach the unreachable stars; and the world will be better for this.” This line from Don Quixote could well have originated from the biography
