“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
William Alwyn: Derby Day Commissioned by the BBC to replace a performance of his Second Piano Concerto, British composer William Alwyn wrote a lively overture that was only after the fact linked to a work of art. Alwyn agreed that
Thea Musgrave: Turbulent Landscapes In an extraordinary work that is not only based on a number of paintings by JMW Turner (1775–1851) but also uses a particular thematic point to connect them, Scottish composer Thea Musgrave (b. 1928) creates a
In 1903, the Austrian painter and illustrator Gustav Klimt paid a visit to Ravenna, the capital of Byzantine Italy in the 6th century. The proclaimed goal of this visit was to broaden his range of artistic historical references by closely
Lithuanian composer Mikolajus Kosntantinas Čiurlionis (1875-1911) was the son of an organist and started the musical school of Polish Prince Michał Ogiński in Plungė before attending the Warsaw Music Institute at age 19. He started as a piano student, then
Pietro Mascagni: Visione lirica In 1921, Italian composer Pietro Mascagni (1863-1945), having finished his latest verismo opera, Il piccolo Marat, he shut himself away to fight the modernism that seemed to be taking over opera. He stopped writing almost entirely
The household is in an uproar – the cat is at the meat, a bottle is broken on the floor, a heavy book is being trodden on, the backgammon board is overturned, a pocket watch lies open, and the lute
The ceramic modeler Johann Joachim Kändler designed many music objects for the porcelain maker Meissen. In addition to the figures of the singer with the fox at the keyboard, he also did other figurines of singers. This group of two
Kaija Saariaho: Orion – I. Memento mori A painting in the Cleveland Museum of Art was the unexpected inspiration for composer Kaija Saariaho’s orchestral work Orion. Orion was the giant hunter in Greek mythology. A son of Poseidon, he was